Saturday, October 8, 2011

Potent Quotables: Cosmic Contemplation


"Ancient stars in their death throes spat out atoms like iron which this universe had never known. The novel tidbits of debris were sucked up by infant suns which, in turn, created yet more atoms when their race was run. Now the iron of old nova coughings vivifies the redness of our blood.

"If stars step constantly upward, why should the global interlace of humans, microbes, plants, and animals not move upward steadily as well? The horizons toward which we must soar are within us, anxious to break free, to emerge from our imaginings, then to beckon us forward into fresh realities.

"We have a mission to create, for we are evolution incarnate. We are her self-awareness, her frontal lobes and fingertips. We are second-generation star stuff come alive. We are parts of something 3.5 billion years old, but pubertal in cosmic time. We are neurons of this planet's interspecies mind."
--Howard Bloom, Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century

"Physicist Roger Penrose, who helped develop theories about black holes, has said that the chance of an ordered universe happening at random is nil: one in 10 to the 10th to the 30th, a number so large that if you programmed a computer to write a million zeros per second, it would take a million times the age of the universe just to write the number down."
--from Rob Brezsny's book Pronoia (in fact, both quotes came from this excellent book)

Wednesday, October 5, 2011

The Occupation

For a few days now I've been hoping to compose a lengthy post about Occupy Wall Street and the global uprising but haven't had the chance. I will hopefully get to put my thoughts together soon, after all I spent years down in that area of Manhattan and particularly Zuccotti Park (mentioned here a while ago), went to school right next to Wall Street and the Brooklyn Bridge, my experiences down there are even one of the meanings behind the title "A Building Roam." It's highly significant to me that this communal flowering of awakening and dissent has blossomed from a spot on the map that has played such a huge role in my life and growth.

I spoke to my sister on the phone today, she's living about as glamorous a life as any 23-year-old could right now, staying in her friend's brownstone on the Upper West Side, commuting to work by way of strolling through Central Park. I asked her about Occupy Wall Street and she said "you mean that protest thing?" She had heard of it, seen it on the news but rather aggressively told me "I don't care."

Well, I am thankful that there are so many people who do care.

Right Here All Over (Occupy Wall St.) from Alex Mallis on Vimeo.

Thursday, September 29, 2011

The Day After


Mere words cannot convey what occurred last night.

My spine and my skull have been tingling all day and I've been devouring all the recaps, reflections, and write-ups I could find but nobody has accurately described what went down last night. The eminent baseball penman these days, Joe Posnanski, wrote a fine piece and yet it disappointed me until I realized that all of the articles I was reading were disappointing. The shockwaves of sublime joy and amazement shook up the best baseball scribes so much that they were rendered speechless. Twitter was fun:

"Holy fuckity fuck fuck. That's all I got"
- Kevin Goldstein(@kevin_goldstein)

"Khhoihdfslj sjfslkjf fjsfs;ljsdf chjkabdskjfh boop de doop. #mlb"
"The night has reduced me to gibberish"
- Dayn Perry (@daynperry)

The Tampa Bay Rays completed the biggest comeback in baseball history with perhaps the most exciting and unbelievable single game in baseball history. And it all occurred while three other meaningful games intertwined with it to create arguably the most amazing evening in baseball history.

I've actually been keeping a notebook of baseball thoughts for the past couple months and during the action last night I jotted that there was a stunning symmetry to it all. The four games we were all focusing on seemed eerily similar (featuring 2 first place beasts, 2 last place spoilers, 2 desperate failures, and 2 history chasers) and around the 6th inning in each game the scores were: 7-0, 7-0, 3-2, 3-2. The symmetry didn't last, though; in fact, the very bounds of rational existence came undone. In so many of the pieces I've read today the authors have cited the mind-boggling mathematical odds against any of this happening: the odds that the Rays would ever come back from a 9-game deficit in September, odds that the Red Sox would lose with 2 outs in the 9th, odds that the Rays would win when down 7-0 in the 8th inning or when they were down to their final strike in the bottom of the 9th.

The odds of all of that happening were essentially zero or something like 0.00000014 meaning "hell no it'll never happen." And then it happened. And it all seemed to happen at once. All of it unfolded in a mesmerizing sequence that left the global baseball community in breathless rapture.

A miracle happened last night.

Wednesday, September 28, 2011

Baseball's Insufflation

Two weeks without any posts. Not a nice way to treat a perfectly good blog.

As I've indicated a few times recently, my life is pretty hectic right now, at least relative to my past periods of prosperous blog posting. In the slivers of free time that I do have, my writing has been confined to notebook scribbles so as to keep my writing game sharp. I had hoped to start a monumental study and breakdown of Ulysses here at this blog by now but I've got a few things I'd like to get out of the way first and they're moving along very slowly.

Three straight weeks of family visitors certainly threw me off too, though it was nice to see familiar faces. As great as Austin has been to me thus far, I haven't made any real friends because I haven't really socialized all that much. Although, in an incredible example of synchronicity, a good friend of mine from San Diego who I had drifted away from in the months before moving to Austin actually relocated at the exact same time and now lives about 10 minutes up the road from me.

The baseball season's progressively dramatic developments have kept me occupied as well. Weeks ago I had drafted a blogpost about the complete lack of drama and close pennant races in baseball at the time and my conclusion was to be that, no matter how bad things look, somebody would inevitably make things interesting for us. Parallel epic collapses by the Boston Red Sox and Atlanta Braves (whose franchise, incidentally, originated in Boston) plus resiliency on the part of the Tampa Bay Rays and St. Louis Cardinals have created as exciting a final day of the season that we could have ever possibly hoped for.

As I type this, the Wild Card races in both leagues look like this:

AL Wild Card
Red Sox 90-71
Tampa Bay 90-71

NL Wild Card
Braves 89-72
Cardinals 89-72

All four teams play tonight in four separate games and if the results don't yield a clear winner in both instances, we would see an extra one-game playoff tomorrow to decide the winner. Needless to say, it doesn't get any better than this.

For me, the NL race features two teams I don't like at all. The Braves are mortal enemies of the Mets but that doesn't bother as much as the stupidity of their manager, Fredi Gonzalez. One could write a lengthy piece detailing his numerous managerial transgressions throughout the year but it's enough to mention that he blatantly fails to put his best team on the field often and perpetuates the most idiotic bullpen strategies this side of... Tony LaRussa, the Cardinals manager. The Cardinals are no friends to the Mets either but, again, it's the manager that ticks me off the most. Since the Braves are a beaten down, limping team right now I'll prefer to see the Cardinals surpass them so at least they can be a viable contender in the playoffs.

As for the American League, I was sucked into rooting for the Red Sox during their incredible run in 2004 and had been rooting for them in all of their gargantuan battles with the Yankees over the years. That they employ Bill James and generally follow an intelligent, sabermetric approach to building their team has always appealed to me. Ever since reading Moneyball way back in 2003 (if I ever get to see the movie, I'll certainly share my thoughts on it here) I've had a strong fascination with the A's and other teams that employ statistical measures to team-building and the Red Sox certainly brought all that stuff to its highest peaks with their two championships in four years. But lately they've too closely resembled the Yankees and their distasteful tactic of throwing bags of cash at the best players on the open market.


On the other hand, the Rays, with their minuscule budget, have become a Moneyball East type of operation. Except their task is much more daunting having to play in a division with two deep-pocketed powerhouses and even the perpetually competitive Toronto Blue Jays. The Rays have a number of exciting young players (I'm starting to realize Evan Longoria might be my favorite player in the league) and even an eclectic manager.

I would love to see the Rays win, in fact, I'd love to see them win and then carry on to a World Series victory (perhaps a rematch of the 2008 Fall Classic against the Phillies?) but the scenario I most prefer to see would be both the Rays and Red Sox winning today and then playing an epic one-game playoff on Thursday. Same with the Cards and Braves. To nobody's surprise, all four teams have their best pitcher on the mound for today's game. I'll be watching intently and hoping the season drags the excitement out for as long as possible.

Wednesday, September 14, 2011

Wu-Tang Bats All in the Sky


As embarrassing as the pop and glitter music that parades itself as hip hop may be to the true fan of Rhythm And Poetry, and as ubiquitous as that hollow and monotonous commercial sound may be on the corporate airwaves, the essence of real hip hop music remains powerful if not exactly popular. This is especially evident for loyal fans of the Wu-Tang Clan and their endless throng of talented affiliates.

Almost 20 years after their debut upon the music scene, Wu generals like Raekwon and Ghostface Killah are still highly sought-after by both fans and fellow musicians, while The Rza has soared straight past the heights of musical production and film soundtracks into the director's chair for his film debut, The Man with the Iron Fists, starring Russell Crowe and set to be released later this year.

The Wu camp continues to release a steady stream of quality music, staying true to their formula (the original hip hop formula) of sharp lyrics, skillful flows, and sample-based loops with crackling drum breaks while giving birth to another generation of diehard fans (40-year-olds and teenagers alike can be found making the eagle-wings at concerts). This summer was particularly profuse as not only the Wu and their affiliates but even outside artists have delivered offerings in homage to the name of the mighty Shaolin supergroup. Here, I will briefly go over all that we've heard this summer.


Bronze Nazareth - School for the Blindman

First off, and most importantly, the ostensible 21st Century messiah of Wu-Tang, Bronze Nazareth, has finally released his sophomore album, the follow-up to his 2006 debut (one of my favorite albums of all-time) The Great Migration. The Detroit-based emcee/producer is considered the heir to the throne but unlike many of the Wu-Tang affiliates and Killa Bees, he did not simply inherit this title, he earned it. He's not a relative, old buddy/schoolmate, or record label-appointed collaborator, instead he's something of a savant who so impressed European Wu-Tang affiliate Cilvaringz (himself, an important part of Wu-Tang's new breed) back in 2002 that he was given an opportunity to show his work to The Rza who immediately signed him and housed him up in New York for two months to work on The Abbott's new album.

When that record, The Birth of a Prince, came out in 2003 there were two beats in particular that shot steam out of my ears and led me to declare that Rza had regained his magical touch production-wise. It wasn't until two years later that I actually thought to look at the album credits and realized it wasn't Rza who had made those beats, it was the debut of someone named Bronze Nazareth.

We eventually got to hear Bronze speak his piece lyrically and it was immediately evident that Wu-Tang had once again uncovered a gem: a gifted poet as well as sublime beat-crafter. His debut album made hip hop heads explode (one particular Amazon user review has always stuck with me) and he subsequently unveiled his own group, The 7 Wisemen, who released two highly-acclaimed albums while Bronze received an increasingly steady stream of production work for Wu affiliates hungry for the vintage chops (more on those in a minute).

The new record, School for the Blindman, was released yesterday amid high anticipation and, speaking for myself at least, it has definitely met the absurdly high expectations I had. The lyrics are mostly pretty heavy though delivered in short aphoristic lines (he indicated in a recent interview that he's prone to work on a verse for days/weeks to make each line strike the right note), his flow has added some new complexities, and the beats are out of this fucking world. Here's one of the album's bonus tracks featuring The Rza:


"Squeeze the page, please / my blood, sweat and tears
drip off my inscription / no minor incisions 
unless you fail to listen"

Go get it!

*   *   *

Timbo King - From Babylon to Timbuk2

When the Swarm was upon us in the mid-1990s, Timbo King was leading the pack. He was one of the few artists outside of the 9-member Wu-Tang Clan circle who, right from the beginning, proved he could match up with anyone when it came to clutching mics. The notoriously poor business management of the Wu enterprise left him waiting to receive his time in the spotlight though and his blacktop-hardened street personality didn't soften up to the corporate record execs who preferred to call the shots and this mega-skilled emcee found himself black-listed in the industry.

He continued to stay relevant in the ears of listeners by featuring on albums with Rza, Gza, Killah Priest, and being a part of the supergroup Black Market Militia, but it wasn't until this summer, nearly 20 years after he began his career, that he finally released his debut solo album. He put his best work into it and brought plenty of great production to the table, mostly from Bronze Nazareth. I've got a big review of the record covering every track all written up, just need to make some edits and I will post it here soon. It's definitely one of the best albums of the year.

Here's one of my favorite tracks from the record, a clever takedown of all the industry executives who've been ruining the rap industry for the last decade or so.


*   *   *

Wu-Tang Clan - Legendary Weapons

Earlier this summer the group released this short compilation album, a sequel to 2009's Chamber Music, with live production from The Revelations and features from rap legends like Sean Price and AZ plus some of the Killa Bee affiliates. The production, despite being handled by a live band, was a bit lacking for me and certainly a step below the similar 2009 showcase. As this might be called The Summer of Bronze, the Nazareth man got to step on to a track next to legends Rza, U-God and Cappadonna to outshine all of them ("tempted by Satan, put a bullet in his diaphragm / Walk around, black clouds and quiet violins").

The most important part of this latest effort, though, was the return of fan-favorite Killa Sin. Sin, like Timbo King, had been impressing everybody for years but never got a chance to shine on his own. These last 5 years or so (maybe longer, I'm not sure) he's been in and out of prison and hasn't put out much music at all. This record hails his return as he and his water fountain flow were featured on two tracks, including a solo track.

*   *   *

Wu-Tang & Jimi Hendrix - Black Gold

Last year a musician named Tom Caruana released a free mash-up album combining the Beatles and Wu-Tang that was absolutely superb. He deftly weaved together Beatles interviews, quotes, instrumentals, songs, and all kinds of Wu chops for a magic musical tour (the mash-up was entitled Enter the Magical Mystery Chambers). It was so good that Rza actually mentioned it in a verse on the aforementioned Legendary Weapons album.

Caruana just recently released another homage to the Wu that's getting plenty of attention, it's a mix of the bass-heavy flavors of Jimi Hendrix with verses from the Wu and friends (Killarmy gets a song on here as well as other lesser known affiliates). I don't like it quite as much as the Beatles mix but it's no slouch either, I highly recommend it.

Another similar project that caught my attention is Shaolin Jazz - The 37th Chamber, a smooth combo of jazz (both old and new) and classic Wu-Tang material. All three of these mash-up homages (the Beatles, Hendrix, and jazz mixes) are totally free and available for download.

*   *   *


Tragic Allies - Tree of Knowledge of Good & Evil

Tragic Allies is a trio from Massachusetts that has been putting out great new music steadily for a few years now through mixtapes and free internet tracks but they've yet to release an album. As seems to be a common thread with some of the artists I've mentioned, they announced their record a while ago and it suffered a bunch of pushbacks and delays.

Well, finally, the Tragic Allies debut album is coming. It's due September 27th and features Planet Asia, Canibus, Killah Priest, and (yup) Bronze Nazareth. The reason I mention them here next to all the Wu-Tang stuff is that, while they aren't affiliates or associated with Wu-Tang at all, their new record not only features some Wu legends but they bring that similar style of classic 90s-era hip hop. I've felt for a while now that Tragic Allies are making some of the best rap music in the world, period.

Of all the great music I've mentioned, this track stands next to all of it:


Here is the first single off the new album, "God-gifted" featuring Planet Asia.


*   *   *

Madlib Medicine Show No. 12: Raw Medicine

Lastly, since I've written so much about Madlib and his Medicine Show series, I should mention that Stones Throw just released Part 12 of the series, a 37-track remix album that features a whole crowd of various emcees including Wu-Tang's Inspectah Deck, Ghostface, Raekwon, Cappadonna and a bunch more. I've only just received it so I can tell you that the artwork is as awesome as usual and the sounds are vintage Madlib, that is, dusty old raw hip hop sounds.

Saturday, September 3, 2011

Gustav Klimt's Medicine


Painted in 1901, destroyed by a fire in 1945. I hear music in my head whenever I look at Klimt's work.

Wednesday, August 31, 2011

"Keeper of My Soul" by Yesterday's New Quintet



Somebody put together a great video for this track by YNQ (otherwise known as Madlib pretending to be a jazz quintet all by himself). It displays some of the jazz record covers for Madlib's multitude of forays into his father's genre. This is off the first Yesterday's New Quintet album entitled Angles Without Edges. I need to review that one soon. Check out my other Madlib reviews, especially this one about some of his jazz stuff.

Tuesday, August 30, 2011

The Ides of August

Irene knocks down a tree in Central Park (Mario Tama/Getty Images)
This was initially supposed to be written at the end of July or beginning of August but it got lost in the shuffle. Of course, had I managed to get it out there it would've seemed more than a bit prescient.

Reflecting on the calendar's eighth month as it approached this year, I realized that August has been a particularly stormy, eventful, and often painful month in my personal history. Or at least as far back as my journals go (four years).

August 2007 - After graduating from Pace University in May with a business degree I didn't really want, I set out to try and make some money with it for a little while. I needed to save some funds so as to execute a major cross-country move from New York to San Diego in the near future but I had no desire to wear a sycophantic suit and tie and sell my soul to some dull accounting firm. Most of my classmates immediately went into big accounting jobs in Manhattan with high salaries but I not only wanted to get away from New York City, I wanted to avoid the monotony of a regular office job at all costs.

My resistance was relatively futile. My mom brought up doing temp work and got me a brochure about it. Even though the plastic smiles and business attire of the figures on the pamphlet frightened me, I gave it a shot (I was an unemployed college grad and my parents weren't going to be patient with me mooching off their estate). Over the next few months, I worked a couple of relatively harmless and manageable positions. In July, I was doing accounting work at a chemical manufacturing plant in New Jersey working inside of a little cabin. As bad as that may sound, I enjoyed it. It was laid back, I got to eat lunch outside amid grass and trees, the people were nice and really appreciated my work. Best of all, the workload was small and I was actually able to read and write in between tasks.

Then at the end of the month, after having been acquired by a bigger firm, the company started laying people off and suddenly they had to choose between me and a secretary who had been there for 19 years. I endured the awkwardness of training her to do my job for a couple days and then was let go.

The temp agency found me a new position quickly and I was to spend the month of August working at an egg product manufacturing plant in Elizabeth, New Jersey. The job was about as shitty as you would imagine from reading that previous sentence. In fact, it was much worse.

My first day coincided with a Nor'easter storm that found me stuck in traffic on the trip from Staten Island to New Jersey and when I did finally make it over to the hideous industrial grid of Elizabeth, my destination was nowhere to be found. I drove around the supposed address a few times screaming curses and stressing out before parking somewhere and calling the temp agency as the skies poured a steady dump of water on my windshield. Apparently, the business had changed their name but didn't bother to change any of the signs displayed outside.

After parking in the crunchy, muddled mess of a rocky parking lot, I stepped knee-deep into a puddle before failing to locate the door to the warehouse where I was to spend the next four weeks. When I did finally make it inside I was soaking wet and an hour late. The warehouse was dark and stunk like eggs. The office where I would work was situated in a little box within the warehouse. They didn't really care how late I was and immediately put me to work.

The job itself was ridiculously easy, leaving me way too much free time after finishing my workload by late morning. My boss was a bipolar Vietnam vet who would often bounce from jovial laughter to furious screaming within the same breath, something I've never encountered before or since. I worked alongside the warehouse forklift drivers, a couple of ex-convicts who treated me like a new piece of meat in prison and constantly, til the very end, gave me shit because I wasn't doing "real" (i.e., physical) work and got to sit at a desk most of the day.

Without even taking into consideration the terrible commute each day (standstill traffic morning and afternoon every single day as cars squeezed onto the narrow Goethals Bridge), it was an absolute nightmare. I was stuck there for the entire month of August before managing to escape in September to one of the best jobs I've ever worked.

August 2008 - Not nearly as bad as some other Augusts, this one was still memorable.

I had been living in San Diego for two months without having established myself at all aside from moving into a little studio apartment. No job, no friends, no idea what the hell I was doing with my life. When I left New York, I only put thought into the journey (a 10-day road trip across 15 states) and focused on getting myself safely to the other side. The rest would figure itself out.

Well, two months had gone by and nothing was figured out. I was drifting aimlessly in unfamiliar territory. Depression started hitting me and often sabotaged any attempt to do anything productive. One night things got so dire that I resorted to a therapeutic session of writing down all my fears, worries, desires, etc. and seeing what came of it. What came of it was the realization that I had a lot to offer and a general plan (soak up knowledge, write books) but no direction.

The solution proffered itself on my notebook pages: contact some universities that fit my mental framework. I started grabbing my favorite recent books off their shelf and looking for the names of universities that had lit a spark of interest for me in the past. Pacifica Graduate Institute, C.G. Jung Institute, California Institute of Integral Studies. I looked up some of their e-mail addresses and started contacting admissions offices. Plenty of responses came in the ensuing days and suddenly I was flying up north to San Francisco to visit schools.

My first experience of the Bay Area was one of the most interesting and memorable times of my life. Initially, I absolutely hated the place. It was cloudy, freezing, windy, reminiscent of the crisp autumns in New York, except it was the middle of August. I roamed around the city in a state of mild depression, raw cold, and confusion. I visited one school and it was an enchanting experience as I befriended the bookstore clerk and he brought me up on the roof to look out at the Bay Area skyline. We talked books for a while and then he left as I sat amid the roof's Zen garden and tried to reflect on all that was happening. "I'm on a rooftop in San Francisco. In a Zen garden."

The trip ended as quickly as it began and there I was back home in San Diego trying to figure out a way to get myself into the school for free. It never happened and three years later, I still haven't gone to graduate school.

August 2009 - Possibly the worst month of my entire life. Shortly after returning from the Bay Area trip one year prior, I finally found a job in San Diego and stayed there for about nine months. It was a great job in many ways, the people were great, the business was interesting, but the pay absolutely sucked. The salary was better than no salary, but I couldn't keep my head above water when it came to monthly bills. Southern California is a very expensive place to live after all. I sought a better job and found one, a place that offered a much bigger salary but demanded a lot more work and, as I would later find out, feats of emotional strength that I couldn't maintain.

It was an office made up entirely of women, mostly attractive women, though not friendly women. The owner of the business was a genius but a loose cannon. She spoke openly about wanting to retire soon and pass the business on. I should mention that this was a highly successful operation with numerous wealthy clients and the owner had become obscenely wealthy herself. (On the day I was hired, she insisted on showing me pictures of her huge house as well as her summer home, which she offered to let me and my girlfriend stay in.) Her minions were eager to please her and inherit whatever she was about to drop them. Suddenly I stepped into the mix and, while just trying to catch on with the fast and complicated operation, understood everything they taught me a little too quickly.

My first day at the job was Bloomsday, June 16th, and by early July I understood the basic mechanics of how things worked. But it was an extremely complicated enterprise with seemingly infinite variables and understanding the basics only meant that I could now begin to learn how everything else worked. I was given a stack of 75 (!) clients and managed to get through about three of them in the first few weeks before hitting a huge wall of complexity with the other clients. But my training was seemingly over. I was reprimanded for asking questions, given snappy, bitchy responses and chided for not getting it.

In late July, I flew back to New York to participate in a hockey tournament that had been arranged long before I started the job. The owner approved of the trip when I was hired, there was supposedly no problem at all with me missing two days of work to play in the tournament.

It was great to be back in New York and skating on a team with all of my good friends who I'd left over a year prior. Playing five games over three days, I somehow had one of the best hockey performances of my life (probably THE best) and led our team to the tournament championship. We lost because of an insurmountably poor performance by our goaltender.

Our goalie for the tournament was my good friend Mike who I'd known since I was about 8 years old. He was two years older than me and played goalie for the first team my older brother ever played on. Our families always car-pooled to the games and I got to know him very well over the years. In college, I joined an intramural team with him and his brother and we played together for the next six years or so, still driving to the games together because we lived in the same part of Staten Island.

Even though we remained friends when I moved to California (he was one of the few people who would call to check up on me), he had changed a lot in the intervening time---he'd gained weight, started smoking cigarettes again, and didn't look well at all. But he did manage to find a new girlfriend who he spoke about endlessly.

When I returned to New York for the tournament, as always, we drove to the games together. It was great because we got to catch up on things after I'd been across the country for a more than a year. Mike's performance in the tournament was all over the place. He singlehandedly won us a game, then fell apart in the next one. Everything collapsed for him in the tournament final. We battled a team from New Jersey in a back-and-forth affair, scoring 10 goals (I had two and assisted two others) but still we found ourselves tied because Mike wasn't stopping anything. We kept falling behind, fighting back, taking the lead, and then falling behind again before finally losing when Mike let in two easy goals at the very end.

My teammates, who had been playing with Mike regularly for the last few months, were furious and they lambasted him for his poor performance after the game. He had no excuse. It was the worst I had ever seen him play. He looked like he was half asleep. In years past, Mike had always complained to me that he had trouble sleeping. Oftentimes, after our late weekday night games, we would often have to pick up some Tylenol PM for him at a gas station so he could manage to fall asleep when he went home.

I drove him home after the final game and he was distraught. I didn't know how to console him other than to suggest that he quit smoking (something I always got on him about) and start exercising again. He agreed. We didn't get to talk much as his girlfriend called him and they had a long, unpleasant conversation. He argued with her the whole way home. Mike's birthday was coming up and they wanted to go out to have dinner together, but neither of them had a car (a recent accident had wrecked his only means of transportation) and Mike didn't have the money to pay for a cab. Neither did she. It was ugly.

Right before I dropped him off I calmly told him to stop yelling at his girlfriend because it seemed he was taking his hockey frustrations out on her. He hung up and we said our goodbyes as I dropped him off. As he dragged his goalie equipment into his house I looked at him feeling a deep sadness and regret. I couldn't help him. I had tried to help him for years and he wouldn't listen and now I was flying back to California when my friend seemed to need me the most.

Two weeks later, on August 14th, my ringing cell phone woke me up 6 AM. It was Mike's brother. Mike was dead. He went to sleep and didn't wake up. It was two weeks after his 26th birthday.

At this point my job had gotten pretty bad. When I returned from the tournament in New York, everyone seemed mad at me. I heard them talking about me down the hall saying things like "maybe he should work harder or stop missing work for hockey." My days were numbered. The day I learned of Mike's death, I was in shock, didn't cry at all, and went on in to work to endure the bullshit. A day or two later, the owner left to go spend a week at her vacation home and all hell broke loose.

The girls turned a shade of evil that reminded me of the demonic females that flanked Al Pacino in The Devil's Advocate. The main devilwoman, the owner's main lieutenant, warned me that if I didn't step it up at work I would be fired. Yet when I asked her a question about a complex project, she yelled "can't you see I'm busy!" and didn't allow me any of her time again until it was after 5 PM and everyone went home. I had gotten a cold that was becoming increasingly worse with all the stressful drama and as I sat in her office I blew my nose in a handkerchief. She looked up with an annoyed glare and snarled, "Did you just throw your snot in my garbage?"

A day or two later I had descended into a bad fever but couldn't miss work because my job was seemingly hanging by a string. Mike's death had finally sunk in and I was having moments where I'd burst into uncontrolled tears as his voice and image haunted me. The rest of August was spent in a state of physical and emotional decay. Everyday I woke up to liquid snot pouring out of my nose and it lasted throughout the day. Combined with a steady stream of tears in grievance for my lost friend, I was a pretty pathetic sight.

On the final day of August I sent the boss a scathing letter of resignation, detailing the way her sycophantic soldiers had sabotaged my position and never saw any of them again. The whole experience inspired me to turn my journey into an autobiographical novel and soon this blog was born as a means to hone my writing.

August 2010 - Another trip back to New York. This one was so eventful and thought-provoking that I've been meaning to compose a huge essay about it but something keeps holding me back from it. I haven't even managed to write the whole story down in a journal. The whole thing was surreal and, as time passes and I don't transcribe it all, the experience becomes "fabled by the daughters of memory."

Shortly after her birthday (one day after Mike's birthday, actually) my grandmother died. She had just turned 101 years old. The interesting thing about it is that it happened the same day my brother and I were to fly to New York from California for my nephew's baptism. He was to be baptized in a fountain that my devoutly religious grandmother had funded with a big donation to the church.

It was all a pretty magical experience with lots of instances of synchronicity once we got there. Since this post is already exceedingly long, I don't want to go into all the details now except to mention that my nephew was baptized and my grandmother buried on the same day. It was all quite surreal and, as the creative/artistically sensitive person in the family, it really struck me. I wrote my grandmother's eulogy and my sister delivered it.

Just this morning I drove my sister to the airport at 5 AM to conclude her visit here in Austin. She had been at a business conference last week and then stopped over here to pay me a visit since I haven't seen any of my family members since January. Interestingly enough, she avoided all the natural disaster drama in New York.

The last few Augusts have pretty rough on me but this one, despite being busy and leaving me sleep-deprived, has been relatively peaceful. But my hometown was rumbled by an earthquake and then battered by a hurricane. In fact, Staten Island bore the brunt of the storm worse than any other part of New York City. I'm just glad the month is almost over.

Sunday, August 28, 2011

"Teems of times and happy returns"


After finally completing that big list about James Joyce in the last post, I wanted to let it simmer atop the page for a while. I didn't intend to let the blog go dormant for three weeks, though.

Things have gotten a little hectic here lately, my life is becoming more and more like that of a normal young person: very busy. I'm only working 20 hours a week (to avoid succumbing to the soul-killing clutches of a cubicle) but my girlfriend and I are sharing a car and managing to stay occupied from morning until early evening, which doesn't allow me all that much creative/reading/relaxing/baseball-watching time. I'm not stressing about it though, because I know plenty of people my age have it a lot worse than me. Aside from the slow suffocation of my finances (and similar bodily reactions to the intense Texas heat), life here in Austin is pretty damn good. At the moment I'm sitting outside at a coffee shop with wooden decks extending up into the woods. Very cool place.

In the intervening three weeks between blog posts, I did manage to complete two rather large and detailed hip hop album reviews as part of a trio. I'm in the midst of writing the third review and once they're all finished I will share them here. I've got a bunch of posts coming up soon (if I can find the time) including a big one covering all the new Wu-Tang-related music that's springing up right now.

For the moment, I want to share a few (mostly) Joyce-related links that have interested me lately:

- friend of this blog Bobby Campbell is a very talented artist and graphic designer and he recently produced a smooth, peripatetic illustration of the scene in chapter 3 of Ulysses where Stephen is "walking into eternity along Sandymount strand" that is definitely worth checking out. This represents one of my favorite sections from Joyce, as I wrote about last month.

- More great stuff from BC, he created some spectacular looking artwork (including the piece atop this blogpost) demonstrating Vico's four cycles of history which Joyce used as the structure of Finnegans Wake. Go check it out at the Maybe Logic Academy blog, it is part of a nice essay entitled "Falling on Deaf Ears" elaborating on Vico's philosophy, the Wake, Marshall McLuhan, and more.

- The past couple weeks I've been reading an extremely fascinating essay on Finnegans Wake by Dan Weiss that was posted on the The Brazen Head blog. It is written in an easy-to-read style of short sections and it serves as both an introduction to the complexities of the Wake and an exploration of how Joyce tried to construct it so as to encompass the entire universe, thus creating something that closely resembles modern hyptertext and the internet. The essay is lengthy but well-written and worth the read. Another piece covering Joyce in a similar vein (internet, universe, hypertextuality) made my brain cells swell recently; it explores Joyce, Jorge Luis Borges, and Thomas Pynchon and their attempts at creating a "cosmic web" through their art.

- This last link is not exactly Joyce related (though the author maintains multiple blogs with Joyce and Wake material), but Steven James Pratt (aka Fly Agaric 23) wrote an intriguing and thought-provoking blog post about the recent race riots in the UK using his favorite splicing style of weaving together mini essays, poems, and article clips. I highly recommend you check it out.

Please stay tuned as there will be more to come soon.

Monday, August 1, 2011

16 Reasons Why James Joyce is the Greatest Writer Ever


I actually started to write this over a year ago and now it's finally complete. It was originally intended to be posted on June 16 (thus the 16 reasons) but that never worked out. It's not meant to be exhaustive or even all that serious, but I think it gets the point across. 

1. The simple fact that his writing is beautiful
All good writing strives towards poetry as poetry is the highest form of writing. Joyce started off as a poet and was good enough to receive attention from W.B. Yeats who encouraged Joyce to "turn his mind to unknown arts." This unknown art is a manner of prose in which every word and the flow of the words are considered with precise poetical precision. So Joyce's writing is an original, beautiful gleaming mass that yields gems like this one:


The heaventree of stars hung with humid nightblue fruit.

2. Joyce is to literature what Einstein is to science
In Ulysses Joyce toys with time and space all throughout the book. In the "Proteus" chapter, Stephen Dedalus ruminates and meditates on the nature of Time and Space using Schopenhauer's interesting words Nacheinander (German for "succeeding each other") and Nebeneinander ("beside each other"). The main character Leopold Bloom sells newspaper advertisement space for temporary periods of time. In Richard Ellman's complex exegesis, Ulysses on the Liffey, he argues convincingly that the 18 episodes can be broken into six triads within which the dominant categories of Space, Time, and Space-Time repeat over and over. Relativity (or more specifically what Einstein called "special relativity") also dominates the book, especially in the first six chapters as we follow the movements and thoughts of two different, separate characters at the exact same time of day. Relativity abounds in Bloom's cosmic reflections in the Ithaca episode. Also, Don Gifford's Ulysses Annotated explains how Joyce stretches out time by depicting the events of the day through a "rich mix of clock time, psychological time, and mnemonic time."
We are all aware, for example, that we can think and perceive far more in the course of a few minutes of multi-leveled consciousness than we could spell out in words in as many hours. Joyce variously explores this disparity. (Gifford, pg 3)

Sublime Poetry

A recent piece in The Guardian by Carol Birch provides a short but beautifully accurate summation of the art of James Joyce, particularly Finnegans Wake. Here's a sample:
The Wake invokes death and the dying of the light with some of the most sublime poetry in the English language. It is almost unbelievable, a madly audacious and impossible work, and I can understand why some people hate it. But for me it's like falling in love with reading all over again.
And here is a cool video with a reading of a selection from the Cyclops episode (pg 301-302) of Ulysses.





My next post, which will appear shortly, will be my last foray into Joyce for a little while as I am taking a break from his works to spend the month of August writing mostly about music. After that, I will be plunging right back into Joyce with a full, thorough explication of Ulysses.