Sunday, February 10, 2019

For the 25th Anniversary of the Almighty Wu-Tang Clan

from here.

Been needing to compile this for a little while. First, I want to share with you a few videos from this past year when the Wu-Tang Clan celebrated the 25th anniversary of their seminal LP, Enter the 36 Chambers (1993). Wu-Tang was all over the place in 2018, these are just a select few vids that stuck out for me. Then I want to briefly share my personal history as a fan of the Wu-Tang Clan starting as a kid growing up in Staten Island in the 90s, when the imprint of Wu and what they stand for became foundational building blocks for the person I have since become.

First, here is an interview with RZA at the Oriental Theater in Milwaukee from last August. RZA gets into some stuff here that I've never really heard him talk about before. Typically in Wu-Tang interviews we hear the same origin stories repeated, whereas here RZA gives some insights on identity and the eclectic array of cultures that combined to form the core elements of Wu-Tang Clan that he doesn't often get into this much detail about. (Side note: this is the first time I've heard him share this amazing factoid: that while all the early Wu-Tang LPs were crafted to sound like movies, ODB's Return to the 36 Chambers: The Dirty Version album was made in the vein of a Richard Pryor record.) I often criticize RZA's musical evolution on this blog but I've said it before and I'll say it again: my mind grows when I listen to The Abbott speak.





The Wu-Tang Clan, minus Mef and Ghostface, put on a show for NPR's "Tiny Desk Concert series" in December. It was a thrill to see them perform in this format, ad-libbing, freestyling, taking turns throwing darts, with RZA playing the role of DJ. I wish they'd do this kinda thing more often, it's fresh as could be. Since it's a live show and there are so many members, there's some noticeable discord---especially between Raekwon and RZA who've been on different wavelengths for years now---but Wu-Tang performing live is still one of the greatest shows on earth. I especially love RZA's verse at the end here (19-min mark), a typically scientific-mystic Abbott verse that sounds like a taste of his long-promised album The Cure, delivered over classical orchestra strings. "Wu-Tang is for the kids!"





In October, the entire WTC formed like Voltron for a live performance of their classic single "Protect Ya Neck" on an episode of the Jimmy Kimmel show filmed live at the Brooklyn Academy of Music’s Howard Gilman Opera House. It's rare to see the full collective come together and perform on a platform like this. Altogether this was a fantastic Wu-Tang showing, not in the least bit sullied by the lame audience clearly not being a typical Wu crowd.




There have been a few attempts at making a Wu-Tang documentary, none of them truly hitting the mark thus far, but this newly announced series on Showtime called "Wu-Tang Clan: Of Mics and Men" definitely looks promising. Here's the trailer:




And here's an interview with the director of the new documentary, Sacha Jenkins, who rocks a Mets ballcap and therefore shares not one but two of the greatest loves of my life. This looks like it'll be dope:




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Saturday, February 9, 2019

(Video) Madlib Meets Ethiopian Legend Ayaléw Mesfin



Madlib meets legendary Ethiopian funk musician Ayaléw Mesfin whose music he has often sampled. The story of Ayaléw Mesfin, his struggles under an oppressive government, his humble appreciation of political asylum in America, and his emotional return to the stage to perform his music years later---there's a lot to appreciate in this 13-minute video. Ayaléw was jailed by an oppressive Communist regime that took over Ethiopia in the 70s. Arrested for distributing his music to the public for free, released only on the terms that he stop making and performing music.

A student of music in all its forms, we witness Madlib meet one of his idols and discuss their respective crafts as well as the harrowing story of what Ayaléw suffered through. Had to post this here as it really resonated and I'm glad to see Madlib showing love to one of the musicians whose work he's inspired by, while shedding light on an obscure artist for the fans.
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