Ulysses is an overwrought, overwritten epic of gratingly obvious, self-congratulatory, show-off erudition that, with its overstuffed symbolism and leaden attempts at humor, is bearable only by terminal graduate students who demand we validate the time they've wasted reading it.My initial reaction to this was seething anger and I'm still pretty annoyed about it hours later. My feelings are best expressed by Ghostface Killah's words, "I should slap fire out his ass, snap his bones in half and watch the stock market crash." What annoys me so much about it is that Ulysses is in fact so badly underrated and under-read that it isn't often discussed at any length in the mainstream media except for Bloomsday or on the rare occasions when a new book about how great Ulysses is manages to penetrate to the surface of mainstream consciousness. So when I come across an article in a magazine as widely read as Slate that attempts to deter the public from reading a book that is already being read by almost nobody, it has a tendency to really piss me off. Especially when the author clearly contradicts himself and doesn't seem to know what he's talking about.
While he lambasts Ulysses for being an "overwrought, overwritten...show-off [of] erudition," he praises the two most overwrought and overly erudite chapters in the book: Ithaca and Oxen of the Sun. He describes Ithaca as "the one chapter you should read before you die" and also mentions that he loves the Oxen of the Sun episode, calling it "skillful and funny." While these two are also my own personal favorites of all the 18 episodes, they are without a doubt the most difficult to read---they're both densely packed with tons of obscure vocabulary words and absurdly long sentences written in purposely overdone erudite styles. If you subtract those two (plus the Scylla and Charybdis episode which Rosenbaum also speaks fondly of), the rest of the book is not so dense at all. In fact, much of the remaining material is in the same basic style of A Portrait of the Artist as a Young Man which Rosenbaum "loved."
Thus, in his half-assed essay he's completely contradicting his own argument while altogether ignoring some of the most fun-to-read and brilliant material in the book like the Lestrygonians chapter (with Joyce's wonderful paragraphs on food and eating), Sirens (written in the form of a Bach fugue), Cyclops (the book's funniest chapter which also expresses Joyce's staunch pacifism), not to mention the brilliant passages brought about by Nausicaa's style of tumescence and detumescence.
To say that the book "is bearable only by terminal graduate students who demand we validate the time they've wasted reading it" is not only a jerky remark but it's also frighteningly anti-intellectual. I've never been to graduate school, never even read Joyce in school at all (nor was I an English major) and I got through the book in a span of two months and have continued to pick it up to read bits and pieces nearly every day. I'm not a scholar or a professor, it's just a damn good book. As many of the comments on the Slate piece attest to, it's also a book that gets better and better each time you read it. One of my favorite responses to the piece was this one by someone named Brian South: "Don't you dare. Ulysses is like a puzzle whose picture changes every time you put it together. It's genius in every way."
Unless it's universally hailed as the greatest novel in the entire cosmos, Ulysses can never be overrated because it already doesn't get nearly the praise it deserves. Think about it for a minute. It is a comic epic that zooms in to the details of one single day in a modern city, encompassing nearly 800 pages, essentially exemplifying how a single atom can contain the entire universe. Over all those pages and the book's 18 episodes (each written in a different style) somehow there are constant connections, synchronicities, and cross-references all across the book, a book that Joyce wrote by hand over a period of seven years. Every word is placed for a reason (Frank Delaney's excellent podcast really goes deep into that aspect). The detail, conception and execution of its macrocosmic and microcosmic structure is unmatched in literary history (except for maybe Finnegans Wake). And the key point of it all is the affirmation of life as it is (Yes!) with other key elements like love, compassion, and the timeless essence of everyday life emphasized as well. In a jocular, parodic, mock epic comedy novel.
All of that, plus the book is purposely designed to try to make its reader smarter, like an encyclopedia or a dictionary.
And this guy is calling it overrated?!?!
Of course, everyone is entitled to their own opinion and there are certainly folks who would agree with Mr. Rosenbaum. His piece was inspired by a list that recently appeared in The Telegraph indicating the 50 books that folks should NOT read before they die, with Ulysses number-1 with a bullet. The Telegraph list was written in an obnoxious, incendiary, and aggressive manner that makes it seem like either an April Fool's joke or a shock piece meant to stir up responses. In any event, the Telegraph list and Slate's article are a disservice to the public, especially coming at a time when Joyce's works of genius are being coveted more and more by the Ivory Towers of scholasticism and usurped from the hands of the everyman it was written for. Ulysses already has an unfortunate reputation for being largely unread by the general public, so when these widely read publications decide to publish articles on it they ought to make sure the writer knows what the fuck he's talking about so they don't continue to dissuade people from approaching this incredible book. "For the rest let look who will."
Word up dawg. You punked that Rosenrosen.ReplyDelete
The very fact that you react in "seething anger " reveals that Rosenbaum touched a nerve. Rightly so, as Joyce is without a doubt the most overrated writer of the century. Feel free to seethe a little more.ReplyDelete
Grrrrr you've made me so angry!!! :)ReplyDelete
What so bothered me when I wrote this kneejerk piece was that the popular opinion of Joyce, as you've just confirmed, is ALREADY that he's overrated and that nobody has anything to gain by approaching his books. We didn't need another poorly argued piece in a major publication pushing this well-established notion.
As for your comment that "Joyce is without a doubt the most overrated writer of the century"... I have my doubts. You'd be hard-pressed to name a handful of properly-rated writers who don't idolize Joyce.
Thanks for commenting.
Actually, the guy who wrote that article has a point.ReplyDelete
Let's look at a few facts most of Joyce's fans try to sweep under the rug:
1) The main reasons Joyce gets so much praise is because his fans and critics think that by liking books like Ulysses they will be superior to the other 99,99999% of the people who prefer books like Harry Potter and David Copperfield. Basically, Ulysses and most of Joyce's works are snob magnets attracting all sorts of pretentious elitists with inflated egos.
2) Most of Joyce's "best" works (Ulysses) are all style and no substance. In essence, they boil down to the most basic and overused technique in modernist literature: the stream of consciousness. It's a great technique that most modernist authors overuse but Joyce is the one who overused it the most to the point where it became the only one he actually used. What's more, the stream of consciousness wasn't even invented by Joyce; this technique can be found in many older works like Crime and Punishment by Dostoyevsky. Basically, Joyce's masterpiece is a form of stream of consciousness on steroids. Like I said, it's a great technique but when a writer decides to write 800 pages using only one technique, the readers will get bored and rightfully so: bad writing is bad writing.
3) Joyce was a mediocre writer. His only work that made him relevant was Ulysses, a novel which got a lot of attention not because it was a good book but because it was freakishly long and required a lot of time and patience to read. The critics at the time, being under the influence of Freud's psychoanalytical theory, made Ulysses out to be more than what it actually was. Ulysses was (and still is) to critics what the prophecies of oracles were to the ancients; a load of nonsense and irrelevant information that was interpreted in such a way as to be meaningful.
4) Ulysses does not mirror the way the human mind works. Most of Joyce's fans like to say that Ulysses captures a mind at work but in reality people don't think in so much detail like the characters in the book do. The Yes part, for example, is so romanticized it's actually prose poetry. That's not how the human mind functions. A real stream of consciousness is not as detailed as the one in Ulysses.
5)There is nothing special about the fact that 800 pages deal with a day in someone's life. You can actually fill 800 pages with gibberish about an hour in someone's life.
6) Ulysses is not the greatest book ever written. It's the longest, deliberately bad book ever written because bad writing was the only way Joyce could hide what he really wanted to say.
7) Ulysses didn't take too much talent to write. ANYONE can write 800 pages of pretentious gibberish and pass it off as some sort of cryptic enigma. It's just that not everyone is Joyce.
8)Joyce is to writing what Kurt Cobain is to music: overrated, untalented and mediocre at best.