Tuesday, June 16, 2015

For Bloomsday 2015


"I heard his words and their meaning was revealed to me."
 - Ulysses

This year to celebrate Bloomsday (June 16th, the day on which James Joyce's novel Ulysses takes place, named for the book's everyman hero Leopold Bloom) I'll be participating in some festivities over at Malvern Books on West 29th St here in Austin, starting at 6:30 pm. There will be music, food, drinks, readings from the book and I'll be delivering an introductory talk.

Incredibly, the Day of Bloom will be celebrated in many locales across the globe, including and especially China as The Guardian details.

To commemorate the big day here I'd like to share something I've been intending to post for a long time.

Below you can listen to the only recording Joyce ever made of himself reciting from his most famous book. It's a selection from the "Aeolus" episode, recorded in 1924, featuring a character delivering a speech likening the plight of the Irish with that of the Biblical Hebrews, with lots of Egyptian imagery.





Here is the text (loosely) to follow along. Notice his tone switching between the narrator, the speech, and Stephen's inner monologue:
He began:
Mr Chairman, ladies and gentlemen: Great was my admiration in listening to the remarks addressed to the youth of Ireland a moment since by my learned friend. It seemed to me that I had been transported into a country far away from this country, into an age remote from this age, that I stood in ancient Egypt and that I was listening to the speech of some highpriest of that land addressed to the youthful Moses.
His listeners held their cigarettes poised to hear, their smoke ascending in frail stalks that flowered with his speech. And let our crooked smokes. Noble words coming. Look out. Could you try your hand at it yourself?
 — And it seemed to me that I heard the voice of that Egyptian highpriest raised in a tone of like haughtiness and like pride. I heard his words and their meaning was revealed to me. 
From the Fathers
It was revealed to me that those things are good which yet are corrupted which neither if they were supremely good nor unless they were good could be corrupted. Ah, curse you! That's saint Augustine. 
Why will you jews not accept our culture, our religion and our language? You are a tribe of nomad herdsmen; we are a mighty people. You have no cities nor no wealth: our cities are hives of humanity and our galleys, trireme and quadrireme, laden with all manner merchandise furrow the waters of the known globe. You have but emerged from primitive conditions: we have a literature, a priesthood, an agelong history and a polity. 
Nile.
Child, man, effigy.
By the Nilebank the babemaries kneel, cradle of bulrushes: a man supple in combat: stonehorned, stonebearded, heart of stone.
You pray to a local and obscure idol: our temples, majestic and mysterious, are the abodes of Isis and Osiris, of Horus and Ammon Ra. Yours serfdom, awe and humbleness: ours thunder and the seas. Israel is weak and few are her children: Egypt is an host and terrible are her arms. Vagrants and daylabourers are you called: the world trembles at our name. A dumb belch of hunger cleft his speech. He lifted his voice above it boldly:
But, ladies and gentlemen, had the youthful Moses listened to and accepted that view of life, had he bowed his head and bowed his will and bowed his spirit before that arrogant admonition he would never have brought the chosen people out of their house of bondage nor followed the pillar of the cloud by day. He would never have spoken with the Eternal amid lightnings on Sinai's mountaintop nor ever have come down with the light of inspiration shining in his countenance and bearing in his arms the tables of the law, graven in the language of the outlaw.

The sound quality is poor but the powerful message still resonates.

There is great significance to this seemingly random passage from Joyce's giant book.

He insisted it was to be the only selection he would ever record. Even though Joyce told Sylvia Beach (the book's publisher and supporter) that he'd chosen this passage "because it was declamatory and therefore suitable for recital," Beach knew there was something else to it. "I believe that it expressed something he wanted said and preserved in his own voice," she wrote.

Listen to those final words again:

"graven in the language of the outlaw."

Joycean scholar Sebastian Knowles wrote of this final line:
On the recording, you hear Joyce's relish of "outlaw," reinforcing his own role as an exile, as the writer in an outlaw language, and as a participant in the outlaw creation of a new Irish literature. But the central word is "graven," as an engraving, as a text that is both positive and negative, and as a voice that is in several senses coming from beyond the grave.
And I'd like to add: Joyce the outlaw was also being publicly excoriated and condemned for his "obscene" and "filthy" book. At this point, in 1924, he had equal fame and notoriety. The greatest novel in the English language was banned, confiscated, and burned in the US and the UK for over a decade after its publication in 1922.

That final line is Joyce's eloquent middle finger to the authorities, the phony arbiters of moral justice.

Happy Bloomsday!


(This post owes a great deal to an old James Joyce Quarterly article by Adrian Curtin entitled "Hearing Joyce Speak: The Phonograph Recordings of 'Aeolus' and 'Anna Livia Plurabelle' as Audiotexts.)"

Sunday, May 10, 2015

Reviewing a Recent Baseball Book Reading Binge

The end of winter each year inevitably brings with it a rekindling of my intense passion for baseball and 2015 was no different. I've been on a steady binge of absorbing baseball books for a few months now so here are some reflections on what I've been reading.

Baseball Prospectus 2015

Now in its 20th year of existence, this annual guide (featuring essays covering all 30 teams plus analysis/commentary on over 2,000 players) has undoubtedly faded a bit from its glory days but the 2015 version is the best one they've produced in many years. With editors Sam Miller and Jason Wojciechowski taking over in 2014 there were significant changes made to the format in an attempt to recapture what made the BP annual so special in the first place. Last year's edition was the first one ever to have by-lines on each of the 30 team essays while they brought in a bunch of recognizable baseball scribes to write each one. This experiment continued with the 2015 edition and works mostly for the better, but the luster of this fresh approach is starting to wear off. Bringing in a bunch of outside writers to cover each team has begun to feel rather gimmicky. I'd prefer to see BP make greater use of their own impressive stable of writers.

That complaint aside, BP 2015 is a terrific read that I'll be going back to throughout the baseball season. They've really revved up the wit, snark, and silliness (witness the emoji in Clay Buccholz' comment, the poetry for Hiroki Kuroda, and the oddity of Didi Gregorious' channeling of Derek Jeter) with an abundance of impressive, extremely creative writing while not sacrificing anything in the way of hardcore statistical analysis. That is what's always made this book so special after all; the extreme amplitude of information and heavy analysis held up by the light-hearted, creative, humorous writing style. I love the BP annual not so much for its acute baseball insights as for its stats-based writing about the game. This edition certainly provides that.

Wednesday, May 6, 2015

New Finnegans Wake Musical Audiobook Adaptation Featuring Yours Truly

Waywords and Meansigns art by Robert Berry

This past May 4th marked both the 76th anniversary of Finnegans Wake being published and the world premiere of the "Waywords and Meansigns" audio project bringing Finnegans Wake to life in an unabridged musical audiobook. The full audio project is over 30 hours long, encompassing all of the book's 17 chapters with a different musician/artist handling each one. Each artist was given full freedom to creatively interpret the text in their respective renditions so there's a pretty wide array of styles and interpretations.

I had the honor of contributing to the project, recording a 3-hour rendition of the 15th chapter (Book III, Chapter 3) known as "Yawn Under Inquest". Immense thanks are owed to Evan James, Jake Reading, and Melba Martinez for their contributions to the recording which took many hundreds of hours over a span of three months to complete. The experience was unlike anything I've ever partaken in and I'm very proud of the result. You can read more about my experience with creating this recording here.

The entire project is completely free and available to listen to or download in full on the Waywords and Meansigns website. Since the Wake is a circular book you can jump in at any point but, of course, I recommend you start with my chapter which is Track 15.

The new project has already received the attention of The Guardian and the excellent RAWillumination blog (focusing primarily on the work of noted Finnegans Wake devotee Robert Anton Wilson) has just published an interview with myself and Steve "Fly" Pratt on our experiences with contributing to the project.

Please be sure to go check it all out and send some feedback!

Sunday, April 19, 2015

Album Review: A sneak peek at the new Canibus & Bronze Nazareth record Time Flys, Life Dies...Phoenix Rise


This year's local SXSW festival was a mostly low-key one for me but I did have one eventful and exciting evening. It began with an "experiential marketing" promo for one of my favorite films from last year, Interstellar, wherein participants donned headphones and an Oculus Rift virtual reality headset to transport to a spaceship making its way toward a wormhole. It was my first encounter of Oculus Rift, something I've often heard about recently but never thought I'd actually get to try out.

It was about as amazing as I could have expected, especially when the Interstellar spaceship shifted into zero gravity mode. Somehow the immersion in Oculus Rift's virtual reality actually made it feel like I was floating, while I could see the ringed planet Saturn, in all its glory, just outside the ship's window.

Shortly thereafter, sitting in a truck parked near the Interstellar promo tent, I had the privilege of partaking in a full listening session for the upcoming album by Canibus & Bronze Nazareth Time Flys, Life Dies...Phoenix Rise. The conjunction of these two experiences seems oddly fitting. The gravelly voiced lyrical scientist known as Canibus has been providing high-tech rhymes for nearly two decades now. A virtual reality experience putting you on board a spaceship traveling toward a wormhole is exactly the type of thing Canibus tends to rap about. It's also not out of the realm of possibility that the dictionary-scouring wordsmith already coined the term "Oculus Rift" on some long-winded track from a dozen years ago.

Saturday, April 11, 2015

MLB 2015 Predictions, Part 2: American League

Mookie Betts. Familiarize yourself. Say it over and over again. Mookie Betts. [AP photo]

Continuing along, a bit late, with my predictions for the new baseball season, using the Baseball Prospectus PECOTA projections for the 2015 season. Normally I like to get these out of the way before the season starts, but it's been an extremely busy time for me lately. Mostly because of this. (Once again, the win numbers at BP have inevitably changed slightly since I captured them here, they remain in flux as the season goes on.)

The American League saw so many big moves made over the winter that it's harder than ever to determine with any confidence how things may take shape. If every team had full health all around, there would likely be extreme parity in the AL with lots of teams finishing with win totals in the mid-80s. Out of 15 teams, I count only 3 that are good bets to be really bad: Twins, Astros, Rangers. Every other AL team expects to fight for a playoff spot. Every one of them is also constructed with obvious flaws or severely lopsided rosters.

AL East
These division standings could end up being jumbled into any combination imaginable and we oughtn't be surprised. The Rays and Yankees are most likely going to have down years, but both have enough talent on hand to conceivably compete, while the other three all have playoff aspirations.

1. Blue Jays
PECOTA: 80 wins
My pick: Over

With their best pitcher, Marcus Stroman, now out for the year with a torn ACL, I can't say that I've got a ton of confidence in this pick. But the addition of catcher Russell Martin alone makes the Jays a much better team and they were in the playoff race pretty much all of last season, only a terrible month of August (9-17 and outscored 132 to 86) knocked them out. Adding third baseman Josh Donaldson, one of the game's best all-around players the past two seasons (14.1 total fWAR, behind only Mike Trout and Andrew McCutchen) to an already powerful lineup certainly helps too.

Just like the Red Sox, the Jays are expected to have one of the highest-scoring offenses in the game, but the pitching, which features two late-career vets and three youngsters, has lots of question marks. Can R.A. Dickey harness his knuckleball well enough to pitch more like an above average starter than an amusing sideshow? Will 24-year-old Drew Hutchinson build on his solid first full season in 2014? Can the kids (Daniel Norris and Aaron Sanchez, both 22) handle a full season of pitching for a contending big league team?

It's a top-heavy roster and the bottom has enough youth for some breakout potential so there's plenty of reason for optimism. With the Royals ending their playoff drought last year, the longest streak of missing the postseason now belongs to the Blue Jays. I don't think that streak will carry much further.

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